Sotheby’s has unveiled its new maison at Landmark Chater in the heart of Central, Hong Kong. A dazzling testament to the auction house’s finest curation of grand art, the opening puts divine Asian sculptures, rare books and first editions, vintage artefacts, large-scale ink drawings, paintings, diptychs, triptychs, rare antiquities, and a dinosaur skeleton on display to showcase the breadth of its collection.
Sotheby’s has morphed what was once prime retail real estate—goodbye, Armani café, Armani Fiori, and more blue-chip brands that were housed there before—into a 24,000-square-foot exhibition and retail space; some of the collections on show within the salons (the first floor is divided into thematic rooms) are available now, others will eventually be auctioned off to a discerning global clientele at calendar-scheduled auctions.
However, there are rare exceptions. Not up for auction, Gerhard Richter’s 1982 masterpiece Eisberg is on loan from the Long Museum, Shanghai, and an exceptionally rare Ru brush washer from circa 1,100 AD is housed and displayed in its own enclave, paired with the sounds of an ever-raging storm to enhance the multi-sensory experience. Similarly, Banksy’s unfailingly popular half-shredded canvas, Girl with Balloon [Girl without Balloon, renamed after the shredding!] , is on full view, on loan from its owner.
Embracing great art and priceless relics in novel perspectives could be the seminal theme of the entire enterprise, a new way of looking at often-historic things of rare vintage and provenance. Pieces are brought to light and to music, and palpable and sensorial experiences invite the visitor to set sight on visionary works beyond dusty archives and secluded storage spaces. Where else can you find samurai armour, a first edition of HG Wells’s The War of the Worlds, Kim Dong-jun’s Moon Jar, and a signed edition of Picasso’s Profil de Jacqueline in one place?
“Sotheby’s salons drive a tension between objects—these unexpected juxtapositions tell a story of diverse cultures, across time and geography, and narratives intertwine like the pages of a compelling book,” says Nicolas Chow, chairman of Sotheby’s Asia, and worldwide head of Asian art. “This diversity [and] synthesis creates an emotion that will resonate with the discerning eye and the curious soul.”
In more ways than one, Chow leads the way as he showcases what might seem incongruous—a prehistoric woolly mammoth skull close to A Collection of Record Covers with Cover Art by Andy Warhol—but is perfectly in harmony in the salons.
While many of us are used to the austere hush of most exhibits, the soundtracks are a key component of the salons, altering the reception of art works by enhancing one’s reaction to it. Ambrosius Benson’s Circle, The Virgin and Child with the Veil looks very different when observed with Carmina Burana’s O Fortuna playing in the background versus The Beatles’ Baby It’s You.
“Music has the power to intensify emotions, and the perception of a piece of art can evolve based on the setting and sensory experience,” says Chow. “At Sotheby’s, we strive to create a multi-sensory experience that enriches the way we engage with art, inviting individuals to delve into a realm where different forms of expression blur. Our endeavour is to cultivate a space where art resonates on a deeper level, sparking new perspectives and emotions within each observer.”
“To see rare, exceptional work must be an experiential process,” Chow continues as he leads a group through Sotheby’s salons for a preview of the space, where the popular can meet the esoteric, where the curated and the kitsch keep each other company. On one of the glass partitions, a quote by HG Wells reads, “I was a battleground of fear and curiosity.”
Yoshitomo Nara’s Agent Orange (In the Milky Lake) is in fine company near Banksy. Yuichi Hirako’s Tree Ring warrants explanation, while an oft-photographed Cartier brooch dazzles not far from a limited-edition Hermès White Matte Niloticus Crocodile Himalaya Birkin. If you were wondering, the Birkin is up for grabs for a cool HK$1.8 million. From bags to riches, there are multiple narratives at constant play at Sotheby’s.
“Our new maison promises to be a destination where history is told and made,” says Chow, “a place where the most remarkable tales come to life.”
While the first floor features a finely honed retail experience, with art and luxury showcased in bell-jar salons spanning 80 million years of history (the slack-jawed dinosaur skeleton will make you pause) and prices range from HK$5,000 to HK$50 million, there’s another section that has us captivated. Go down the rabbit hole, or, in this case, the wood-panel pathway designed by Rotterdam-based architecture studio MVRDV, to enter a whole new world, the debut exhibition of Bodhi: Masterpieces of Buddhist Art.
An entirely contrasting feel takes over the ground floor as sculptures and statues repose in a darkened, high-ceilinged hall. “I wanted it to be a totally different experience upstairs and downstairs, night and day,” remarks Chow to a stunned audience.
Mission accomplished: the larger-than-life sculptures astound. The grey schist standing figure of Buddha from the Kushan period, the wood figure of a seated Bodhisattva dating back to the Song dynasty, or any of the statues and sculptures arranged under the arc lights are presented with such exalted elegance that the serene series will have you lost in nirvana. The cynosure of all eyes, mystifying from every angle, is the seated bronze figure of Buddha from the Ming dynasty, dating back to the fifteenth or early sixteenth century.
“Another world embodies the philosophy of our maison in Central,” affirms Chow, “a place where visitors will be able to enjoy both unique museum experiences as well as an extraordinary retail journey across art and luxury spanning millions of years to the present day, from all cultures and civilisations, 365 days a year.”
Landmark Chater, 8 Connaught Road, Central, Hong Kong
All original images by Chris Yau, shot exclusively for Robb Report Hong Kong.
